Press Kit


    Jenny Lin, pianist


    “Bach’s presence also hovered over the featured artist of the evening, the dynamic pianist Jenny Lin, who played 5 of the 24 Preludes and Fugues by Shostakovich… On this night she was beautifully attentive to the Neo-Classical formalities and elegance of the Shostakovich works…“

    – The New York Times

    “…pianist Jenny Lin may have established herself with the most imaginatively conceived program of the year… Anyone lucky enough to have been there … will probably agree that this was a recital that will not easily be forgotten.”

    – The San Francisco Examiner

    “Pianist Jenny Lin gave a recital…that was as thoughtfully conceived as it was beautifully executed. …deeply felt performances… extraordinarily satisfying evening.”

    – The Washington Post


    Pianist Jenny Lin is an artist of keen musicianship, brilliant technique, and a compelling perspective shaped by a deep fluency in global culture. Born in Taiwan, raised in Austria, educated in Europe and America, Lin has built a vibrant international career, notable for innovative collaborations with a range of artists and creators.

    In this most unusual season, Lin has performances – both digital and in person – at the Mostly Mozart Festival, Washington Performing Arts, Winnipeg New Music, the Morris Museum, St. Olaf College, and elsewhere.

    Jenny Lin also continues her collaboration with Philip Glass, performing his Etudes in concerts around the globe.  This experience inspired Lin to create The Etudes Project, in which she works with a range of living composers to create new technical piano etudes, pairing each new piece with an etude from the classical canon. The results are featured on Sono Luminus albums; Volume 1 showcases Lin’s work with ICEBERG New Music, and Volume 2 will be released in 2021.

    Jenny Lin is the featured pianist in Elliot Goldenthal’s original motion picture score for Julie Taymor’s 2020 film, The Glorias and recently recorded an album with accordionist Guy Klucevsek (created in “contactless” fashion) featuring the music of Giya Kancheli. Her catalogue (which includes more than 30 albums, on Hänssler Classic, eOne, BIS, New World, Albany, et al) includes the music of Arthur Schnabel, Chopin’s Nocturnes, Shostakovich’s Preludes and Fugues, transcriptions of the songs of Chinese pop singer Teresa Teng, and Melody’s Mostly Musical Day, an album, picture book, and multimedia children’s concert.

    Lin has performed with orchestras throughout the world, including the American Symphony Orchestra, NDR and SWR German Radio Orchestras, the RAI National Symphony Orchestra, and others. She has performed at Carnegie Hall, Lincoln Center, the Kennedy Center, at BAM Next Wave, Spoleto USA, the Schleswig-Holstein Festival, and elsewhere.

    Fluent in English, German, Mandarin, and French, Jenny Lin holds a bachelor’s degree in German Literature from The Johns Hopkins University and studied music at the Hochschule für Musik, and at the Peabody Conservatory. Jenny Lin currently resides with her family in New York City.



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